Each night at ISB 2017, we all come together in one room to enjoy more #basslove. Come early to the concerts to hear various announcements and competition results. We also give a number of awards throughout the week, so make it a part of your plan to arrive about 30 minutes before concert time.
Below, we’d like you to meet our Wednesday headliners by hearing them play. It is going to be one heck of a week!
“Der Atlas” with Julien Quentin
Rick Stotijn, these days, is considered one of the most leading bass players in the world. He received his first lessons at the age of eight, studied at the Conservatory in Amsterdam with his father Peter Stotijn where he graduated with the highest distinction. Later on he studied with Bozo Paradzik at the Hochschule in Freiburg. Rick won several first prizes at a.o the Princess Christina petition, the Young Musical Talent Foundation and in 2013 the highest accolade awarded to a musician in the Netherlands, the Dutch Music Prize. The
Jury wrote: “Rick is a versatile musician with a moving musicality and a overwhelming virtuosity.”
Rick was principal double bass in the Arnhem Philharmonic Orchestra, Rundfunk Sinfonie Orchester Berlin, Amsterdam Sinfonietta and is
currently principal in the Swedish Radio Symphony Orchestra. As guest principal, Rick plays regularly in the London Symphony Orchestra, Royal Concertgebouw Orchestra, Chamber Orchestra of Europe, Orchestra Mozart and the Mahler Chamber Orchestra. Rick is teaching at the Conservatory of Amsterdam and will be the new Professor Double Bass at the Robert Schumann Hochschule
Dusseldorf from September 2015. He performs on a Raffaele & Antonio Gagliano double bass, generously loaned by the National Musical Instrument Foundation.
Every now and then, just when you thought you had things all neatly arranged in their proper order, someone comes along and not only upsets everything you’ve done, but demands that you change your entire way of thinking before you can even begin to put them back together again. François Rabbath is one of those people.
The importance of François Rabbath to the development of double bass playing can be compared with that of Paganini to the violin. Since the early 1800s when Nicole Paganini established the violin as a virtuoso instrument, solo violinists have practiced the most brilliant of instrumental art. Meanwhile, the development of double bass playing had been seriously neglected. The great and popular 19th century composers did not consider the bass worth their attention and in turn the bass repertoire did not attract potential virtuoso performers with enough genius to change the situation. It demanded an artist with the unique qualities of François Rabbath to break this impasse.